Moving
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"I think Arnold was an absolute giant in the field. I have been around a lot of competitive people but his commitment to winning was absolute -- nothing was more important. He was relentless and produced the greatest basketball dynasty so far that this country has ever seen and certainly that the NBA has ever seen. This is a personal loss for me, Arnold and I have been together since 1950. I was fortunate that I was able to attend a function with him Wednesday night when he was honored by the United States Naval Memorial Foundation in Washington, and I am so glad now that I took the time to be there and spend a few more moments with him." — Bob Cousy
"Nobody has had as much impact on a sport as Red Auerbach had on the game of basketball. He was a pioneer of the NBA. He left his philosophy of winning championships, playing hard and playing as a team with several generations of players. He was truly a great manager of people because he got people to commit to who they were as people and what their role was on the team. He was exceptional at listening and motivating people to put out their very best. In my playing days he once gave me a loaded cigar and six months later I gave him one that was our relationship. We had a tremendous amount of fun and the game of basketball will never see anyone else like him." — Tom Heinsohn
"Beyond his incomparable achievements, Red had come to be our basketball soul and our basketball conscience; the void left by his death will never be filled." —David Stern, NBA Commissioner
Critics generally laud foreign film as superior to most American fare, yet the United States was one of first nations where film as a medium of artistic expression began; and inarguably America’s early success with the medium contributed to its worldwide popularity and encouraged the development of film as a medium of expression overseas. Thus, film can be considered one of America’s few native art forms, and as such is deserving of proper preservation and presentation.
Such was the original mission of the American Movie Classics cable network. Beginning as a pay service in October 1984, American Movie Classics became a resident of the “basic cable” tier in 1987. At its inception critics gushed over the network and its presentation of classic films, from famous epics to little-seen gems, including silent films, shown around the clock. The network – and the movies it showed – were free from commercial interruption, and thus were able to be viewed as their makers intended them. Spaces between films were often filled by Movietone Newsreels. The network also offered original documentaries on the art of film and the charmingly nostalgic drama Remember WENN. But the network abandoned its dedication to the American artform, and is now a general-interest network similar to others.
“American Movie Classics has devolved into just plain old AMC and, like the fast food chain KFC, refers to itself exclusively by acronym to shroud the content of its product. The word ‘Classics’ no longer applies, as you could watch AMC for days and never see one. The schedule used to boast Charlie Chaplin and Buster Keaton festivals, and films such as Katharine Hepburn’s debut in A Bill of Divorcement, and the rarely-screened Frank Capra feature The Bitter Tea of General Yen. Now, AMC is home to Halloween IV [and] RoboCop…All this was done, according to AMC, to attract a younger audience, because heaven knows there just aren’t enough cable networks devoted to the 18-34 demographic.” – David Hofstede, author of What Were They Thinking? The 100 Dumbest Events in Television History.
AMC’s former niche on basic cable is now occupied by Turner Classic Movies, which emulates much of the presentation style and content of the old American Movie Classics; but the trend towards crasser programming may also be creeping upon TCM. The network currently advertises a program in which traditional film host Robert Osborne will face off against the younger and presumably trendier Ben Mankiewicz in arguments over film. TCM has also announced the debut in October of TCM Underground, a series to be hosted by Rob Zombie, director of such stomach-churning movies as House of 1000 Corpses and The Devil’s Rejects.
If cable’s treatment of classic film has become skewed toward more explicit violence and sex, it is as nothing compared with the fate of networks and programming originally devoted to the fine arts.
The Bravo network originated in 1980, and featured a gamut of programming devoted to all areas of art, from presentations of Shakespeare and other plays to grand and light opera, as well as more avant-garde productions. Occasionally classically-oriented top-quality drama from film and television were also presented, such as the acclaimed miniseries I, Claudius. But while the audience for arts programming tends to be both financially wealthy and fiercely loyal, it is also small. Furthermore, most of the viewers of fine arts programming are in the over-45 age bracket – an unpardonable sin in the eyes of network programmers and advertisers. After being purchased by NBC in 2002, Bravo began its evolution towards the déclassé format it currently occupies. Today, alongside such hit programs as Queer Eye for the Straight Guy, one finds the raunchy standup comedy of Kathy Griffin: My Life on the D-List; the Desperate Housewives-inspired The Real Housewives of Orange County; Work Out, featuring the clientele of a Beverly Hills gymnasium; Tabloid Wars, which chronicles the cutthroat world of salacious journalists; and presentations of such graphically violent films as The Silence of the Lambs and Pulp Fiction. And while Bravo’s executives gamely protest that nothing has changed, such statements are farcical when contrasted with the programming Bravo now offers.
The note was designed by Andrzej Heidrich. The obverse of the note symbolically depicts a role of the Holy See and the Pope’s mission in the universal perspective and the reverse features the pontificate of John Paul II from the Polish perspective by placing it in Poland’s most recent history.
The face of the note contains a portrait of John Paul II holding his pastoral cross against the background of a stylised globe, which is a symbol of the pontificate’s universal nature. The Pope is wearing his pontifical vestments and is performing a greeting gesture. In his hand, he is holding a crosier — a symbol of papal authority. The right-hand bottom side of the note contains the following inscription: “John Paul II” and the pontificate’s term: “16 X 1978 – 2 IV 2005.”
The reverse of the note shows an episode which occurred during the Holy Mass for the inauguration of the pontificate of John Paul II and depicts a special relationship between the Pope and Stefan Cardinal Wyszynski. As the Cardinal paid homage, John Paul II rose and performed a memorable gesture to express his respect to the Primate of Poland. On the right-hand side of the scene there is a quotation from Letter to Poles read out by John Paul II to his countrymen who congregated in Vatican Paul VI Hall on the day immediately following the event: “There would be no Polish Pope on this Chair of St. Peter [...] had it not been for your faith undiminished by prison and suffering, your heroic hope [...]”. ("Nie byloby na Stolicy Piotrowej tego papieza Polaka [...], gdyby nie bylo Twojej wiary, nie cofajacej sie przed wiezieniem i cierpieniem, Twojej heroicznej nadziei [...]".) The space under the quotation bears the Pope’s facsimile signature and the date he uttered those words on, namely 23 October 1978. It is worth noting that in 2006 we celebrate the 25th anniversary of Stefan Cardinal Wyszynski’s death and the 50th anniversary of his release from prison.
An outline of the Jasna Góra Monastery and church under the text is to emphasise the role of the shrine of Jasna Góra in the history of Poland and life of the Holy Father and the Primate of the Millennium. The bands beneath their feet bear their Episcopal mottos, namely Totus Tuus — the motto of John Paul II and Soli Deo — the motto of Stefan Cardinal Wyszynski.
The graphic design of the note is modern yet full of symbolic. A watermark depicts a papal coat of arms of John Paul II. In the background behind the pastoral cross guilloche lines were placed with repeating images of fish, cross and the letters RP.
On the note, microlettering was used five times, so it is possible to see the names of the states visited by John Paul II during his papal pilgrimages through a magnifying glass. They fill out the outlines of the continents seen on the globe.
Both sides of the note feature a theme of Peter’s keys. On the face, white Peter’s keys framed into a square and bound by a string can be seen. On the reverse they are presented in olive colour. It is the so-called see-through register (recto-verso) – where the elements on both sides on the note complement each other and create a unity seen at the light. The inscription JP II is seen on the note depending on the angle of viewing – it is the so-called angle effect.
Some graphic elements of the note can be seen only in ultra-violet light. For example, on the face of the note UV light reveals red and celadon green papal coat of arms of John Paul II on the right side of the Pope. On the reverse of the note, in the UV light, Peter’s keys are seen, framed into a square and in the colour of orange.
All the notes bear the letter series of JP related to the Pope’s initials.
By canonizing some of the faithful, i.e., by solemnly proclaiming that they practiced heroic virtue and lived in fidelity to God’s grace, the Church recognizes the power of the Spirit of holiness within her and sustains the hope of believers by proposing the saints to them as models and intercessors. “The saints have always been the source and origin of renewal in the most difficult moments in the Church’s history.” Indeed, “holiness is the hidden source and infallible measure of her apostolic activity and missionary zeal.” (CCC 828)
Valor – n from the Latin valere to be strong; strength of mind or spirit that enables a person to encounter danger with firmness; personal bravery
A New Hampshire Army National Guard soldier who charged enemy insurgents in Iraq with a 9mm handgun after being blown out of his Humvee will be awarded the Silver Star tomorrow.
Richard Ghent of Rochester, who was 20 at the time of the attack, will receive the third highest citation the United States military awards for valor. He is the only New Hampshire guardsman to earn such an award, according to the New Hampshire Army National Guard.
"I'm happy I'm getting it. I obviously feel I deserve it, but it's just doing what I was taught to do," Ghent said in a telephone interview yesterday.
Ghent's action took place on March 1 during a grenade attack that severely wounded fellow guardsman Jose Pequeno, the Sugar Hill police chief, and killed Vermont guardsman Christopher Merchant.
According to the narrative to Ghent's award, he was the first to notice the attack on the Humvee, which was patrolling a highway near Ramadi. A grenade hit him in the face, he yelled "grenade" and was ejected from the turret as he scrambled out of it.
Dazed and wounded in the face, Ghent quickly focused and demonstrated "great courage and intrepidity of action" by drawing his pistol and engaging the insurgents, according to the narrative for the Silver Star.
"(Specialist) Ghent charged the insurgents and drove them away from the Observation Post without any benefit of cover and concealment," the narrative reads. "(Specialist) Ghent held his ground, expending nearly all his ammunition, until relieved by elements of his platoon ..."
Ghent said the attack started a firefight that lasted about 45 minutes.
"Honestly, I don't think I was thinking anything at all," Ghent said. "I just knew what I had to do and did it."
Ghent received a bullet wound to his back, a laceration to his face and shrapnel wounds. He returned to the United States in late March. He is taking classes to become an emergency medical technician and is scheduled to enroll in the New Hampshire Fire Academy in March.
Ghent and Pequeno were serving with the 3,500-person 2/28 Brigade Combat Team of the Pennsylvania Army National Guard, which was made up of volunteer guardsmen and women from 22 states. The 28-member New Hampshire contingent had nicknamed themselves the Snowstormers.
He said he would like to see the United States set a timetable for a partial withdrawal from Iraq; major bases should remain in the country, however.
"It's almost like a safety spot for the civilians to go to," he said.
The award ceremony is scheduled for 11:30 a.m. at the National Guard armory in Manchester. Senior leadership from the New Hampshire National Guard, representatives of the state's congressional delegation and members of Ghent's unit, the 1st Battalion 172nd Field Artillery are expected to be on hand.
Pequeno suffered serious head injuries in the attack and is at a rehabilitation center in Florida, said Maj. Greg Heilshorn, a spokesman for the New Hampshire Guard.
"Buddy was never great in sports, but he tried them all, and he always gave it everything. That's something that comes from here," he (Pete Lambert, Ghent's grandfather) said, holding his fist to his chest.